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	<title>NPK.Studio</title>
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	<pubDate>Mon, 03 Jan 2022 15:01:50 +0000</pubDate>
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		<pubDate>Mon, 03 Jan 2022 15:01:50 +0000</pubDate>

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		<description>Nicola Perikhanyan
electronic sound artist and composer
MA student in electronic music at Guildhall of Music &#38;amp; Drama. 
I enjoy working with instrumentalists and manipulating sound to create new sonic experiences. &#38;nbsp;Contact: nicola.perikhanyan@gmail.com
 


Mortem Exhibition



	Art intervention at Media Art Nexus Nanyang technological university, Singapore.&#38;nbsp;Curator: Aura Murillo
Visuals by Pierre Englehard 
Vocalists, Alexandra Pouta and &#38;nbsp;Eliran Kadussi. Violinist, Tiago Costas.

	An exhibition featuring sensorial provocations about death. Presented as a continuous loop to reflect the cylce of life, death and rebirth. The animation is designed for large scale LED media display (15m by 2m) in a public walkway in singapore.
 



	
	Illuminated River




	The world's longest public art commission, visual artist Leo Villareal, lights up nine London bridges along the River Thames.&#38;nbsp;

Read more about the project.&#38;nbsp;&#38;nbsp;‘A World 
Without Culture 
Is No Place To Be’


	Modern and sleek, the Golden Jubilee Bridge inspired a contemporary sound. Villareal connects his work to the impressionists, similarly I've looked to Debussy, who's music perfectly represents water. Ambiguous tonality and ever changing movement, the music focuses on atmosphere and conveying mood and emotions.


&#38;nbsp;





	
	Play 2021




	
An immersive music and art experience, commissioned by Brookfield Properties and The City of London. Collaborating with&#38;nbsp; London Symphony Orchestra’s clarinettist to write a location inspired piece. 

Read more about the project.&#38;nbsp;&#38;nbsp;


‘Roman Ruins’ 
for Clarinet

	Written for Andy Harper, LSO’s clarinettist, I wanted the music to celebrate the reawakening of the City of London as we begin to resume normal life after the pandemic. The making of the piece was very organic and collaborative and I constructed it from the bottom up like the tall buildings surrounding the ruins. I approached the writing in an open minded way, combining&#38;nbsp;manipluated&#38;nbsp;textures with the sound of the raw instrument. 
&#38;nbsp;


Sound Is Great When...



	A collaboration with the vocal department at the Guildhall School of Music &#38;amp; Drama.Vocalists, Alexandra Pouta and &#38;nbsp;Eliran Kadussi.
Video by Pierre Englehard at 
studio PETUNIA
	Inspired by Tom Phillip’s Humanent, the score for the music was constructed using a victorian medical text about the respiritory system, which takes on a new meaning when carefully selecting words of interest.&#38;nbsp;




©Contact: &#38;nbsp; &#38;nbsp; nicola.perikhanyan@gmail.com
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